Минималистский постер абстрактной геометрической деконструкции

Промпт: Минималистский постер абстрактной геометрической деконструкции

Готовый промпт на основном языке: Minimalist Abstract Geometric Deconstruction Poster prompt.

Please transform each photo I upload into an individual high-end design poster, outputting each photo separately without stitching them together. The overall composition uses a 3:4 vertical layout, with two areas of strictly 1:1 height, each occupying 50% of the screen.\n\nThe top half preserves the original photo, maintaining its structural integrity, spatial relationships, realistic materials, natural lighting, and original color atmosphere, with only slight professional color grading to give it the feel of an art magazine, independent publication, or exhibition photography. The environmental background can be naturally extended to fit the frame, but the subject must not be stretched, distorted, or changed.\n\nThe bottom half uses a clean ivory background to extract the most recognizable subject, silhouette, posture, and narrative relationship from the photo, transforming it into minimalist abstract visuals according to the logic of 'deconstruction-screening-refinement-reconstruction.' The focus is on retaining the most unique volume proportions, axes, curves, interspersions, layering, occlusions, negative space, and asymmetrical relationships, reorganized with a few geometric shapes. Details are not fully replicated, but the correspondence to the original image above must be immediately felt. The composition emphasizes visual center of gravity, scale differences, hierarchical layers, positive/negative shapes, and the rhythm of white space, avoiding iconization, even arrangements, or cluttered piles.\n\nAll colors are extracted from the photo above and simplified into one primary color, one dark structural color, and one light/neutral color, with at most a few key accent colors. Priority is given to the most recognizable and spirited colors of the original, establishing layers through area proportions, light/dark relationships, and local contrasts, keeping it clean, restrained, and vibrant, avoiding overall graying or average use of color.\n\nThe text establishes a complete high-end editorial micro-typography system: a poetic 2-5 word English main title is refined from the photo's lighting, space, action, material, or emotion, paired with 2-4 sets of tiny auxiliary text. These can be freely combined from short phrases, status words, location or object info, numbers, chapter marks, serial numbers, scale-style numbers, direction words, material words, archive-style tags, or miniature descriptions, without using years. The main title handles emotion, while small text handles order and detail, making the text look like editorial annotations in an art book, architectural journal, or exhibition catalog rather than common titles.\n\nText must be composed together with abstract shapes, arranged along geometric axes, edges, outlines, or negative spaces, or vertically aligned, rotated, columned, widely spaced, edge-aligned, corner-pressed, crossing color blocks, embedded between shapes, or interspersed and aligned with the subject. One group of text can be tiny while another is slightly larger, establishing a reading path through font size contrast, spacing, direction, and position. A combination of restrained serif and thin editorial fonts is used, letting the abstract shapes handle visual memory while the text handles structure, rhythm, and high-end feel.\n\nThe overall visual temperament presents **Real Photography × Abstract Memory × Editorial Layout**. It is modern, quiet, restrained, exquisite, artistic, and collectible, avoiding complex collages, cheap decorations, commercial template vibes, or meaningless abstraction.