Минималистичный Внутренний Портрет в Белой Комнате

Промпт: Минималистичный Внутренний Портрет в Белой Комнате

Готовый промпт на основном языке: Minimalist Indoor Portrait in White Room prompt.

Subject: {argument name="room style" default="oblique light in a white room"}

Subject: A realistic portrait of {argument name="age and gender" default="a woman in her 20s"} sitting on the floor of a minimalist interior unified in white and light gray. The woman occupies slightly to the right of the center of the screen, her head is in the middle of the upper half, her waist is in the lower center, and her crossed legs spread widely from the lower left to the lower right of the screen. She sits upright, supporting her weight with her left hand on the floor on the right side of the screen, and her right hand raised to the side of her cheek with her thin fingers slightly bent. Her right knee is raised high and brought forward, and her left leg is bent underneath it, with both feet flowing in opposite directions.

Character and Expression: Small oval face, bright ivory skin, thin brown eyebrows, large hazel brown eyes, long delicate eyelashes, pale pink cheeks, glossy coral beige lips. A calm expression with slightly parted lips, staring into the camera while tilting her face slightly to her left. Her hair is {argument name="hair color" default="pale milk tea ash brown"} reaching below her chest, with thin straight bangs and thin layers around her face, and the ends swaying naturally in and out. Thin streaks of light enter the top of her head and the hair on the left side of the screen, and a small single-bead pendant can be seen at her neck and small metal earrings in her ears.

Clothing and Pose: A white fine rib-knit cache-coeur style top. It features thin shoulder straps, deep V-shaped overlap, short sleeves that expose the shoulders, and a thin ribbon tied at the left side of the character. On both wrists are fingerless lace cuffs with layers of sheer white tulle and thin ribbons. The bottom is a high-waisted pleated mini skirt in charcoal close to black, with distinct folds of different widths and waist seams. A thin black belt hangs from the character's left waist with a small gold metal fitting. On the feet are glossy black Mary Jane chunky heels, showing thin ankle straps and square buckles. The right leg in the foreground extends long toward the lower left of the screen, and the left leg in the back bends along the floor toward the right of the screen.

Background and Light: The center of the background is a white wall with few seams, a thin vertical lattice from the floor to the top edge on the right edge of the screen, and a rectangular white low stand and a corner of the wall on the far left of the screen. The floor is large pale gray tiles, with thin joints converging in the back. Slightly hard warm-toned natural light entering from the upper left of the screen creates a large diagonal triangle on the left wall and bright squares at the lower left and lower right of the floor. It brightly illuminates the character's hair, the right side of the face, shoulders, chest, raised knee, and the shin in the foreground, casting faint soft shadows on the right side of the body and the folds of the skirt.

Composition and Camera: A full-body fashion portrait from a low camera close to the floor in 3:4 vertical orientation. With the natural perspective of a standard to short portrait lens, leave a large white margin above the character's head and a large negative space on the left wall. The face and upper body are placed in the center right, the raised knee in the center left, the black shoe in the foreground near the lower left corner, and the shoe in the back toward the lower right. Keep the head, hands, and both shoes within the screen, making only the leg in the foreground appear slightly larger. The eyes and face are the sharpest focus, maintaining high resolution down to the hair, clothing, legs, and shoes, while making the background wall and lattice light and soft.

Texture and Style: High-resolution realistic fashion photography. Based on white, light gray, and charcoal black, with warm beige of the skin and hair as accent colors. The skin should not be over-polished uniformly, leaving soft gloss and a faint healthy complexion on the cheeks, collarbones, arms, knees, and shins. Distinguish the fine reflections of each strand of hair, vertical ribs of the knit, transparency of the tulle, thin ribbons, folds of pleats, metal fittings, specular reflections of enamel shoes, and the smoothness of floor tiles. A bright and clean exposure that leaves the gradation of highlights, resulting in a calm advertising photography finish.

Negative: Avoid face collapse, misaligned eyes, extra fingers, fusion of fingers, deformation of wrists or elbows, fusion of crossed legs, reverse bending of joints, poor grounding on the floor, clothing digging in, ignoring gravity, horizontal reversal, strong wide-angle distortion, perspective failure of tiles and lattices, unnatural light and shadow, text, logo, watermark, excessive skin processing.