Современное восточное искусство вырезанных бумажных фигур весны

Промпт: Современное восточное искусство вырезанных бумажных фигур весны

Готовый промпт на основном языке: Modern Oriental Papercut Art of Spring prompt.

9:16 vertical format, modern oriental female dreamscape multi-layered papercut art, modern oriental papercut art, layered paper cut illustration, dimensional paper sculpture, intricate paper carving, paper diorama, layered shadow box, poetic female dreamscape, contemporary oriental art poster.

The theme is "{argument name="theme" default="She hides spring in her heart"}."

The core narrative is: A young oriental woman walks into a spring dream garden from a giant open pop-up paper sculpture book. She holds a glowing paper art bouquet. Flowers, birds, new sprouts, and layered distant mountains seem to grow simultaneously from the book pages and her heart. As she walks forward, she raises her hand to approach a paper bird flying past her, as if confirming that this regrown world is real and deciding to carry this vitality further.

The main character is an oriental adult female with a visual age of approximately {argument name="age" default="24 years old"}, bright and brave, gentle and poetic, with light and positive vitality. The character has a soft oval face, bright almond eyes, relaxed brows and eyes, a fresh and brisk expression, a natural gentle smile at the corners of the mouth, and eyes slightly raised looking at the birds. The overall state is light, free, and full of hope.

The character's long black hair is naturally loose, with some strands blown behind her by the wind, and the ends are naturally connected with flower vines and leaf-shaped paper strips. Wears a small light gold flower and leaf paper art crown and exquisite leaf hair accessories; the headwear is light and natural, not towering or complex.

The clothing is a multi-layered paper art long skirt in {argument name="color scheme" default="cyan-green and milk-white"}. The hem consists of a large number of leaf-shaped, petal-shaped, and slender paper structures unfolding in layers. Cyan-green is mainly used for the inner layers and leaf-shaped hem, while milk-white is used for the outer paper art shawl and thin clothing pieces, with light gold hollow flower and leaf patterns added locally. The outer long shawl is expanded backward by the wind in a soft arc, creating a sense of flow together with the long hair. The edges of the paper layers must be clear, with fine hollow patterns, paper fibers, slight creases, realistic thickness, and a hand-cut feel.

The hand movements have a clear narrative: one hand holds a bunch of glowing paper flowers made of milk-white, cyan-green, a small amount of coral pink paper flowers, and light gold thin branches, with a soft warm gold light emanating from the center; the other hand is gently extended upward, approaching a white paper bird flying from the upper right, with natural and relaxed movements, not stiff or posed.

The dream carrier is a giant open pop-up paper sculpture book. The huge book is in the foreground at the bottom of the frame, with clearly visible pages, heavy yet exquisite. The pages on both sides are turned up and gradually grow into gardens, flower vines, leaves, mountains, arched bridges, and distant roads. The book is not just a prop but the starting point of the entire spring paper art world.

The structure uses a pop-up book unfolding papercut style. The foreground is the open giant paper sculpture book, paper flowers, and turned-up pages; the middle ground is the character, garden, and flower vines; the background is layered cyan-green papercut mountains, winding roads, arched bridges, clouds, and birds. There are at least four distinct paper sculpture layers between spaces, with clear front-to-back relationships and soft natural shadows.

The background is a grand and open spring paper art garden. A large number of papercut flower branches extend from the left and right towards the center, forming a natural arched framing effect. Layered cyan-green paper sculpture peaks, winding light-colored roads, small paper art arched bridges, and continuous gardens appear in the distance, extending the space to the top of the frame for clear depth. Birds are distributed in the foreground, middle ground, and background to enhance the sense of space and freedom.

Dream imagery includes: gardens, flower vines, birds, distant mountains, clouds, and paths leading to the distance. All elements uniformly use high-precision multi-layer papercut and 3D paper sculpture language. No real plants, no ordinary realistic landscapes, and no disconnection between character and scene materials.

The overall color scheme is dominated by cyan-green, milk-white, and warm gold, with a small amount of coral pink as accents. Cyan-green is used for mountains, leaves, hems, and the garden body; milk-white for flowers, paper pages, outer clothing, and sky highlights; warm gold for morning light, paper foil patterns, and local highlights. Colors are vivid, transparent, and bright. No gray-green tones, no global yellow filters, and no overall green tint.

The lighting is bright morning side light. Warm white and light gold sunlight enters from the top left, creating soft rim lighting on the character's face, hair, neck, paper flower bouquet, and skirt edges. The edges of pages, petals, and leaves have a slight translucent feel. Fine soft shadows form between different paper layers. Paper surfaces show visible fiber texture, hand-cut edges, slight creases, and natural curvature.

The overall composition emphasizes the feeling of "walking from a book into a vast spring world." The character is in the middle as the primary visual focus, while the scene retains enough depth and garden space. The giant open paper sculpture book serves as the foreground visual anchor, while mountains, roads, and birds draw the eye into the distance. It should look like a high-quality modern oriental art poster and large-scale paper sculpture installation rather than ordinary fairy tale illustrations.

The mood is: rebirth, freedom, spring, vitality, hope, gentle yet positive. Overall vivid and transparent, enhancing the spring atmosphere and layered spatial sense.

No minors, no childish faces, no real photography, no ordinary anime, no plastic 3D, no resin materials, no clay, no felt, no children's crafts, no traditional picture book illustrations, no Chinese New Year window grilles, no monochrome papercuts, no material disconnection, no ordinary real gardens, no ordinary realistic landscapes, no messy paper layers, no blurred paper edges, no heavy shadows, no grayness, no overall yellowing, no overall greening, no cluttered element stacking, no obscured faces, no deformed hands, no extra people, no text, logos, or watermarks.