Ориентальное искусство вырезания пейзажа пещеры Хунья

Промпт: Ориентальное искусство вырезания пейзажа пещеры Хунья

Готовый промпт на основном языке: Oriental Papercut Art of Hongya Cave prompt.

9:16 vertical, {argument name="style" default="modern oriental female dreamlike 3D papercut art"}, modern oriental papercut art, layered paper cut illustration, dimensional paper sculpture, intricate paper carving, paper diorama, layered shadow box, epic oriental papercraft fantasy, contemporary oriental art poster.

The theme of the work is "{argument name="theme" default="She walks toward the river from the lights of Hongya Cave"}."

The core narrative of the scene is: a young oriental woman slowly walks from layered paper-carved mountain city and light corridors towards the steps by the river, facing river water, night wind, distant bridge and moonlight. She emerges from the depths of prosperous and noisy lights, coming to the edge of a wider and more open river surface, as if finally seeing the distance she really wants to go after the bustle.

The main character is an adult oriental female with a visual age of about 25, clear-headed, independent, mysterious and elegant, with a sense of calmness after passing through prosperity. The character has a delicate oval face, slender almond eyes slightly raised, and a restrained and focused expression. The character does not look at the camera, adopting a back or side-back narrative posture as the emotional core.

Character hairstyle and headwear: long black hair tied low, the ends of the hair extending slender flowing paper art ribbons, wearing light gold light patterns and small flower branch hair accessories. The headwear is light and exquisite, not complex or high-towering.

Character clothing: deep vermilion, warm gold and ivory white layered paper art long skirt, the skirt hem and sash with extremely fine pavilions, lights, railings, waves and city pattern hollow structures, the outer layer of sash is long and light, spreading out behind and to the side in a large area. The clothing must have clear paper thickness, fine cut edges, fiber texture, slight creases and high-completion museum-level paper carving craftsmanship, the sash and skirt hem like a whole piece of complex hollow paper carving scroll.

The dream carrier: mountain city paper art pavilion group and riverside corridor.

Dream imagery includes: stilt houses, lights, long steps, river surface, distant bridges, birds, full moon, distant city sea of lights. All buildings, characters, river water, sky, bridges, lanterns, railings and plants must be unified into high-completion 3D paper carving language, no realistic photography, no ordinary CG night scenes.

The overall papercut structure adopts: multi-layer stage style.

Composition and character action: The main body on the left and upper side of the picture is a huge paper-carved mountain city growing vertically along the cliff wall, layers of stilt houses, pavilions, corridors, terraces, railings, lanterns and small bridges overlap each other, extending from the foreground to the distance, forming an extremely complex and orderly vertical space. The right side is open river surface, distant bridge, city skyline and full moon night sky, forming a clear opening and closing relationship. The character is located on the riverside steps at the bottom middle-left of the screen, body facing the river and distance, stepping down slowly or staying quietly, becoming the narrative focus connecting the "prosperous mountain city" and "vast river surface".

Mountain city buildings must clearly refer to Hongya Cave-style mountain stilt houses, but all processed with paper carving: multi-layer wooden pavilions, dense window lattices, layered corridors, cantilevered platforms, bending stairs, overhanging eaves, red lanterns, and warm-lit window views interlace with each other, forming an overwhelming sense of vertical growth and strong depth. The building density is very high, but the order is clear, foreground buildings can be cut by the frame, enhancing spatial pressure and sense of presence.

Foreground and middle ground can show continuous paper art railings, paper lamps, stone steps, platforms and a small number of paper-carved plant silhouettes as frames for viewers to enter the mountain city interior. The river surface on the right is open, with detailed paper-carved ripples and moonlight reflections on the water, a bridge crosses the river in the distance, bridge lights lit up, and distant city light sea forms fine light spots. A full moon and scattered birds are visible in the night sky, moonlight is cold, forming a cold-warm contrast with the warm lights of the mountain city.

Overall color scheme: Vermilion, warm gold, deep cyan blue, ivory white as main colors, a small amount of ink black for balance. Vermilion is used for pavilion main bodies, character main skirts, railings and lantern structures; warm gold is used for lights, window lattices, outlines and local highlights; deep cyan blue is used for night sky, river water and distant shadows; ivory white is used for hollow sashes, building highlights, moonlight and some decorative paper layers. The overall color is gorgeous and transparent, cold-warm contrast is obvious, but cannot be muddy, don't overall black out.

Light and paper texture: Warm gold lights shine through from inside pavilions, interwoven with cold blue night and moonlight, building paper layers locally emit light, river surface reflects lights and moonlight. Paper thickness, cut patterns, hollow railings, window lattices, lantern edges and character clothing details must be extremely rich and clear. Strengthen real paper fiber, slight creases, inter-layer shadows, edge translucency and multi-layer paper carving structure, making the whole picture like a high-completion large-scale oriental paper carving art installation.

The overall screen has the sense of oriental dream mountain city, paper carving night tour, riverside moonlight, female growth narrative and high-end art poster. The focus is not just "Hongya Cave night view", but the emotional transition from "walking from prosperous lights to the vast river surface". The mountain city must be prosperous, complex, growing upward in layers; the river surface must be open, cold, leaving breathing space; the character must become an emotional anchor from prosperity to tranquility.

Supplementary requirements: Strengthen mountain city vertical space and light prosperity, character in foreground or middle foreground, but cannot destroy overall building pressure and depth; the whole scene must be unified as paper carving, cannot just be character paper art and realistic background.