Постер Реальной Сцены Вставного Эскиза

Промпт: Постер Реальной Сцены Вставного Эскиза

Готовый промпт на основном языке: Real-Scene Inset Sketch Poster prompt.

Please turn each of my uploaded travel photos into an independent "Real-life Inlaid Painting Manuscript" work. Each photo should be output separately, and it is forbidden to splice multiple photos into the same image.

Overall adoption of 3:4 vertical composition.

This is not a top-bottom diptych poster, nor a left-right comparison. The original photo should fill the entire frame, and a regular, flat, warm-white drawing paper serves as a real foreground object covering the inside of the photo, so that the real subject in the photo and the manuscript of the same subject on the paper appear simultaneously.

## Original Photo

Completely preserve the identity of the subject, the number of people or animals, postures, movement directions, main clothing colors, vehicle or ship structures, architectural relationships, terrain, observation angles, natural light and shadow, and real textures from the original photo.

The original photo must fill the full frame and remain clearly identifiable, with only slight color toning for art publications, travel magazines, or photography exhibitions, as well as extremely thin film grain.

Do not redraw the original photo into an illustration, move characters, change postures, replace buildings, add or subtract subjects, distort vehicles, or redesign the environment.

## Foreground Paper

Place a regular warm-white rectangular drawing paper inside the photo.

The drawing paper is located between the photo and the viewer, being the foremost layer of the entire frame. People, vehicles, ships, buildings, trees, and other objects in the photo cannot pass in front of the paper, nor can they cover, cut, or block the edges of the paper.

The drawing paper can cover part of the subject or environment of the photo, but enough real subject outlines, clothing, actions, vehicle structures, hulls, roads, or surrounding environments must be preserved outside the paper so that the viewer can see at the same time: 
1. The original subject in the real photo;
2. The manuscript transformation of the same subject on the paper.

The drawing paper occupies about 45%–65% of the width and about 38%–58% of the height of the entire frame, placed in the center, left, right, or top area according to the subject position of the original photo.

The drawing paper can use vertical or horizontal proportions, but must meet:
- The four edges are straight, complete, and parallel to each other;
- The four corners are clear and neat;
- The paper proportion is stable;
- It has real but restrained paper fibers;
- Only very thin side thickness;
- Slight contact shadows are generated with the photo.

Prohibit torn edges, raw edges, stamp perforations, irregular die-cuts, curled paper corners, folded paper corners, wavy edges, damaged gaps, photo frames, tablets, or floating digital screens.

## Manuscript on Paper

The painting on the paper must correspond to the same subject and the same moment in the photo.

Accurately extract the most critical aspects of the subject:
- Overall outline;
- Posture and direction of movement;
- Body or object center of gravity;
- Main color of clothing or objects;
- One or two necessary environmental relationship lines.

Characters maintain the posture, orientation, quantity, and relationship to each other in the original photo. Vehicles, ships, and buildings maintain the most important identity structure and direction.

Do not shrink the complete photo and redraw it into the paper, and do not depict all buildings, woods, windows, passers-by, and backgrounds. The paper only retains one main visual anchor and one to three environmental clues.

The main body of the manuscript is concentrated in the lower middle or one side of the paper, and about 45%–70% of the inside of the drawing paper remains unpainted warm-white blank space.

## Painting Medium

Use travel sketch language with obvious hand-made traces:
- loose colored pencil;
- expressive markers;
- minimalist outlines;
- light watercolor washes;
- elegant line art;
- high-fashion sketch.

Through the above techniques, it shows a relaxed, high-end, and minimalist artistic atmosphere.